Anita Berber è stata uno dei personaggi più scandalosi della Repubblica di Weimar. Non ebbe paura di mostrare la sua bisessualità ed i suoi vizi smodati fra uso di droghe ed altri eccessi, ma fu soprattutto un’attrice carismatica e la prima danzatrice che si esibì nuda incarnando sulle scene l'incredibile modernismo di una cultura e di un'umanità che il nazionalsocialismo tedesco spazzò via nel giro di dieci anni.
Morì di overdose nel 1928.
Anita Berber (1899 – 1928) was a German dancer, actress, writer, and prostitute who was the subject of an Otto Dix painting. She lived during the Weimar period.
Born to divorced bohemian parents (a cabarét artist and a violinist), she was raised mainly by her grandmother in Dresden. By the time she was 16, she had moved to Berlin and made her debut as a cabaret dancer. By 1918 she was working in film, and she began dancing nude in 1919. She was scandalous, androgynous and infamous, quickly making a name for herself on the Berlin scene. She wore heavy dancer’s make-up, which on the black and white photos and films of the time came across as jet black lipstick painted across the heart-shaped part of her skinny lips, and charcoaled eyes.[1]
Her hair was cut fashionably into a short bob and was frequently bright red, as in 1925 when the German painter Otto Dix painted a portrait of her, titled "The Dancer Anita Berber". Her dancer friend and sometime lover Sebastian Droste, who performed in the film Algol (1920), was skinny and h
ad black hair with gelled up curls much like sideburns. Neither of them wore much more than lowslung loincloths and Anita occasionally a corsage worn well below her small breasts.[1]
Berber's cocaine addiction and bisexuality were matters of public chatter.[2] She was allegedly the sexual slave of a woman and the woman's 15-year-old daughter. She could often be seen in Berlin's hotel lobbies, nightclubs and casinos, naked apart from an elegant sable wrap, with a pet monkey and a silver brooch packed with cocaine. Besides being a cocaine addict, she was an alcoholic, but at the age of 29, gave up both suddenly and completely. According to Mel Gordon in The Seven Addictions and Five Professions of Anita Berber,[3] she was diagnosed with galloping tuberculosis while performing abroad. She died on November 10, 1928 in a Kreuzberg hospital and was buried at St. Thomas cemetery in Neukölln.
A 1987 film by Rosa von Praunheim titled Anita - Tänze des Lasters centres around the life of Anita Berber.[4] The band Death in Vegas named a song after her, and is on the album Satan's Circus.
filmografia
Unheimliche Geschichten (Storie inquietanti, 1919)
Regia: Richard Oswald; sceneggiatura: R. Oswald, Robert Liebmann; fotografia: Carl Hoffmann; interpreti: Anita Berber, Reinhold Schünzel, Conrad Veidt, Hugo Döblin, Paul Morgan, Georg John; origine: Germania; produzione: Film AG; durata: 109’
 | Regia
| Fritz Lang | Cast
| Lil Dagover, Alfred Abel, Rudolf Klein-Rogge, Anita Berber, Aud Egede Nissen, Gertrude Welcker, Bernhard Goetzke, Robert | Anno
| 1922 | Durata 242 minuti Audio Muto
| Genere Horror Distribuzione Dischi Ermitage srl
| Trama
| Diviso in due parti, Ein Bild der Zeit (Il grande giocatore - Un quadro dell'epoca�) e Inferno-Menschen der Zeit (Inferno-Uomini dell'epoca), e' il primo dei tre film che Fritz Lang ha dedicato alla figura del genio malefico del dottor Mabuse. Dai Mabuse discendono gli Himmler, gli Hitler...(Fritz Lang) | |
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